… Expandĭoes anyone really want to see a film about a rat – you know, one of those promiscuous, verminous beasts who haunt sewers and spread deadly disease – working in a restaurant? On paper, hell no. It is a classic film that gave me lots to think about after I watched it and even more after I watched it again. Unlike Up which has a brilliant opening sequence but doesn't live up to it, Ratatouille gets better as it goes with one moment near the end with Peter O'Toole's Ego being a brilliant piece of film despite the fact there are absolutely no words spoken. Of course it is a film for both child and adult as every other Pixar film but the thing that holds it up above all the others is the fact that the film builds as it goes. There are some truly stunning parts of Ratatouille but you I won't ruin them because they really are fantastic. It is a fast paced story of a rat named Remy (Voiced by Patton Oswald) who has always wanted to be a chef despite his obvious limitations He finally gets that chance thanks to an inept yet lovable human named Linguini (Lou Romano).
Sure the beginning is a bit slow but the slow build works because when Remy finally crawls out upon the magnificent vista that is Paris the film takes flight.
If anything Ratatouille is the most grown up of the Pixar fold (even Up) with the story being remarkably layered and engrossing. While other films try to show off the majestic look of Paris (Midnight in Paris, Taken and Monte Carlo) they never really succeed and its odd that the film that finally pulls it off isn't even live action.
While other films try to show off the majestic look of Paris (Midnight in Paris, Taken and Monte Carlo) they Out of all 12 Pixar films, Ratatouille has to be the finest if only because it is one of the most visually stunning movies ever made. Out of all 12 Pixar films, Ratatouille has to be the finest if only because it is one of the most visually stunning movies ever made.
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